Archive for the ‘CAREER ADVANCEMENT’ Category

Book Review:”The Reel Truth:Everything You Didn’t Know You Need to Know About Making an Independent Film”

We’ve already finished nearly two weeks of filming on my feature film “Bend & Break”, so we only have two more shooting days until we wrap the picture!

While I’ve been shooting my movie I came across a great book that I can honestly say is the most accurate how-to book that explores some of the realities first time and second feature filmmakers must face while making an independent film in the 21st century. The name of the book is called The Reel Truth:Everything You Didn’t Know You Need to Know About Making an Independent Film by Reed Martin.

What I really like about Martin’s book is that he layers his  information and advice  with real, updated examples of successfully filmmakers i.e Doug Liman (Swingers), Alexander Payne (Sideways) who have either made massive first-timer mistakes or ingenious career moves.

Now that I’m just a couple of days away from finishing shooting my first feature film, nearly everything Martin touches upon in his book has either helped me solve certain production challenges or given me valuable information for making wiser decisions along my future journey as a filmmaker.

I highly recommend this book, The Reel Truth, to any first or second time filmmaker who’s eager to enjoy success from making independent feature films.

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5 “must read” books for the passionate independent filmmaker

Is your film career worth 30 minutes of your time everyday? Young man reading a book 0011 300x180 5 must read books for the passionate independent filmmaker

As you make your professional journey through the film industry, you will encounter both challenges and uncertainty that might leave you feeling hopeless and discouraged.

But there is always an answer/solution to any problem you might face as a movie director, producer or scriptwriter.

“There will never be a new problem. Somewhere… someone had the same problem as you, find the solution and wrote it down in a book”   – Will Smith

Here are 5 must read books for any passionate moviemaker:

1) Reel to Deal: Everything You Need to Create a Successful Independent Film by Dov S-S Simens

This is an easy and informative read. Very inspiring for someone who’s interested in making movies. Especially for independent film producers. I really like his advice about “first make a movie, then make a deal”.

Also, Dov S-S Simens has a very successful online and DVD package web film school loaded with priceless industry knowledge that helped launch the careers of several high profile Hollywood directors like Guy Ritchie, Christopher Nolan and Baz Luhrmann. I highly recommend his course, check here for more details.

2) The Film Director Prepares: A Complete Guide to Directing for Film & TV by Myrl A. Schreibman

Loaded with a vast amount of useful information for newbie film directors ranging from topics like directing actors to camera coverage to how to be professional and efficient onset.

3) Rebel Without a Crew by Robert Rodriguez

Robert Rodriguez is the modern day king of D.I.Y. moviemaking. His book chronicles how he made a feature film for $7,000 that launched his film career. What I love about this book is Rodriguez cuts through all the Hollywood noise and b.s. and gives you real,honest, useful tips on what you really need to succeed as an independent movie director.

4) The 101 Habits of Highly Successful Screenwriters: Insider’s Secrets from Hollywood’s Top Writers by Karl Iglesias

Based on conversation with successful working Hollywood script writers like Eric Roth, Akiva Goldsman, Ed Solomon, Nicholas Kazan, Leslie Dixon, Scott Rosenberg, Gerald DiPego, Steven DeSouza, Tom Schulman, Michael Schiffer, Amy Holden Jones, Robin Swicord. This book gives you the real deal about the daily routines and how to break into the industry tips from the writers of many of today’s top Hollywood movies. I really loved what Ron Bass (Rain man) had to say about succeeding as a screenplay writer.

5) Stop Waiting and Make Your Movie by Ian Agard

 This is a feature film financing guide with 32 information-packed pages of valuable tips and strategies used by both established and emerging filmmakers to secure money for their film productions. For a novice or expert. If you are an independent moviemaker who needs $5,000 to $500,000 to make your feature film, then this e-book is for you. To learn more about it, click here.


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Discover the 4 Habits of Successful Filmmakers

What separates successful filmmakers from others who continue to struggle along, wishing and hope that fate will give them an opportunity?

I like what Elliot Grove the founder of Raindance Film Festival & Raindance.tv had to say about this topic.
Elliot has produced 150 short films, 5 feature films and teaches screenwriters and film producers in the UK, Europe, Japan and America.
He is a filmmaker’s filmmaker and practices what he preaches…4 habits of Successful Filmmakers:
1. Goal Setting

“If you want to make a film in one year’s time, target to
increase your work rate and break down your goal into manageable steps.” – Elliot Grove

Setting goal is something I talk about often on my blog and I know from firsthand experience the powerful results it can produce in your life and for your film career. I won’t get all Dr. Phil on you about the importance of having clear, written goals with deadlines but I really like this quote from the late J.C. Penny.
“Give me a stock clerk with a goal and I’ll give you a man who will make history. Give me a man with no goals and I’ll give you a stock clerk.” – J.C. Penny

2. Investing in Learning

“Invest in learning and discovering new filmmaking techniques is the next keystone to success. Film is changing rapidly right now. The last big change was the introduction of sound. This time around it is movies on th internet and mobile telephones.” – Elliot Grove

Continuous learning is so important for those who want to be in the top of the chosen profession. I usually spent at least 30 minutes each day reading books, articles and websites to build specific knowledge about the art and business of moviemaking. I’m sure you’ve heard the saying “knowledge is power” and usually the most successful filmmakers are experts (extremely knowledgeable) in at least one area of filmmaking.
For example, James Cameron has become an expert on the topic of using 3D film cameras to make movies. After Titanic he just didn’t go off, get fat and count his money…ok…maybe he did? Haha. But seriously, he as been spending the past 5 to 6 years researching, learning and developing state-of-the-art 3D filmmaking. Avatar becoming December 2009, I’m excited.
He didn’t just rest on his laurels but continued to learn, grow and educate himself.
3. Investing in Good Tools

“Treat your career as a business. Invest your earnings into good tools that can enhance your business. Film businesses are the same as non-film businesses. Ploughing part of your earnings back into your filmmaking business would grow career exponentially.” – Elliot Grove

This is so important and I’d like to even take it a step further. Invest in great people. Successful filmmakers treat filmmaking like a business and the best investment you can make is the people you chosen to hire to work on your film. I know that as indie filmmakers sometimes we’re working with a micro budget for our movies but spending a few extra hundred dollars here or there for the services of professional,experience people i.e. cast and crew will pay off long term dividends to the success of their films and your career.
4. Apply What You Learn

“The most successful filmmakers are not always the most knowledgeable ones. They are the ones who put action to what they learnt. They do, not talk about doing.” – Elliot Grove

Earlier in this article I mentioned that knowledge was power. Well, knowledge is only half power. The other half comes from taking consistent, determined action until you’ve reached your goal.
Just keep in mind that you shouldn’t compete or compare yourself to other filmmakers to measure your success. You define your own success through your individual goals. It can be something simple like wanting to make a 5 minute short film with some friends to making socially conscious documentaries to the desire to win an Oscar.
“Anyone who is on course towards a worthy goal is successful.” – Earl Nightingale

Well, enough talk. I have to go now and work on my next movie.

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Having a successful movie career without going Hollywood

losangeles october 535861 l Having a successful movie career without going Hollywood
First, let me be clear that I am not anti-Hollywood or against those who choose to relocate to Hollywood. I lived in Hollywood/LA for 3 years and did some acting work there and it is quite a fun city to live in.

However, with this article I would like to explore the alternative to going Hollywood and how it is possible to have both a critical and commercial successful film career without making The City of Angels your permanent home. Let us take a look at three successful filmmaker, who have all made some decent movies over the years while remaining outside the Golden State.

M. Night Shyamalan

Works and lives: Philadelphia

M. Night Shyamalan, is a two-time Academy Award nominated Indian filmmaker and script writer who resides and works primarily in the United States, known for making movies with contemporary supernatural plots that usually climax with a twist ending. He is also known for filming his movies (and staging his plots) in and around Philadelphia, Pennsylvania, where he was raised. Shyamalan released his first film, Praying with Anger, in 1992 while he was a New York University student. His second movie, the major feature film Wide Awake, made in 1995 but not released until three years later, failed to find financial success.
Shyamalan gained international recognition when he wrote and directed 1999’s The Sixth Sense, which was nominated for six Academy Awards including Best Director and Best Original Screenplay. He followed The Sixth Sense by writing and directing Unbreakable, released in 2000, which received mixed reviews. His 2002 film Signs, where he also played Ray Reddy, gained both critical and financial success, but The Village (2004) was a critical disappointment whose box office fell hard after a strong opening weekend, and Lady in the Water (2006) performed even worse. His latest film, The Happening (2008), did financially better than his previous effort but was also panned by critics; in its entire American run, it grossed only slightly more than Signs made in its opening weekend.

Guy Ritchie

Works and lives: London, U.K.

Guy Stuart Ritchie is an English screenwriter and Filmmaker. The profits that he made from directing these promos was invested into writing and making the film, The Hard Case (1995), which is a twenty minute short film that is also the prequel to his debut feature Lock, Stock and Two Smoking Barrels (1998). Sting’s wife, Trudie Styler, saw The Hard Case (1995) and invested into “Lock, Stock…” (2000), which was written and directed by Guy. Once “Lock, Stock…” (2000) was completed, the hard task of getting it distributed then came about with ten British distributors all turning it down before the film eventually got the attention of Tom Cruise. It was distributed by a North American Distributor, Columbia Tristar

His second feature film was Snatch, released in the year 2000. Originally known as Diamonds, it was another caper comedy, this time backed by a major studio following the previous success of Lock, Stock. The cast featured such Hollywood big names as Brad Pitt, Benicio del Toro and Dennis Farina, along with the returning Vinnie Jones and Statham. Similar to “Lock, Stock and Two Smoking Barrels” in featuring a complex and inventive storyline in which the characters weave in and out of each others’ lives, the film also plays with time, depicting events from various perspectives and recalling such classic crime films as Stanley Kubrick’s The Killing.

David Cronenberg

Works and lives: Toronto, ON

David Paul Cronenberg is a Canadian filmmaker, screenwriter, and occasional actor. He is one of the principal originators of what is commonly known as the body horror or venereal horror genre. This style of filmmaking explores people’s fears of bodily transformation and infection. In his films, the psychological is typically intertwined with the physical. In the first half of his career, he explored these themes mostly through horror and science fiction, although his work has since expanded beyond these genres.
In 1999, Cronenberg was inducted onto Canada’s Walk of Fame. In 2002, he was made an Officer of the Order of Canada, and in 2006 he was awarded the Cannes Film Festival’s lifetime achievement award, the Carrosse d’Or.Two of his films, Dead Ringers and Spider, were voted for in the 2002 Sight and Sound Poll.
Cronenberg has appeared on various “Greatest Director” lists. In 2004, Science Fiction magazine Strange Horizons named him the 2nd greatest director in the history of the genre, ahead of better known directors such as Steven Spielberg, James Cameron, Jean-Lu Godard and Ridley Scott. In the same year, The Guardian listed him 9th on their list of “The world’s 40 best directors”. In addition, in 2007, Total Film named him as the 17th greatest director of all-time.

Now that I live in Toronto I often look back to the few years a spent in Los Angeles to reflect on what I did not do right that lead to my less than successful stay in Hollywood. Three things always come to me were, I lacked vision, an action plan and stick to itness. I do not know the three above mentioned directors personally but I would be willing to bet that they all had at least three things in common that had a dramatic impact towards their success.

1. They had clear career goals
2. They were tenacious and relentless
3. 100% committed to your career

If you have these three characteristics as a filmmaker then you will enjoy a successful film career no matter where you live. Not only that but Hollywood will find you and come knocking at your door.

From my whole experience I would say move to Hollywood because you want to, not because you think you need to.

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Discover the “best” way to advance your film career

Would you like to know the single most important thing you can do to advance your movie career?

Set clear, specific written goals.

Goal setting is something very few people do and is absolutely essential for achieving anything extraordinary throughout your profession, whether working in movies or not. From my own experience I have always had dreams and desires (in my head) of things I wanted to accomplishment in my career but the problem was that they remained just in my head. With my dreams and desires just floating around in my head it became quite easy to be sidetracked, forget or simply give up on achieving anything worthwhile. My struggle and frustration from my lack of progress in my movie career had me searching for answers.

Was success in the movie industry really based on luck? Maybe I was not lucky? Maybe making movies was not my calling? However, everything changed for me once I read a book by Brian Tracy called Goals: How to get everything you want faster than you ever thought possible. I strongly recommend that if you are not currently in the habit on setting goals for yourself and your career to read this book.

Basically, the book details how we as human beings are fully responsible for creating the type of life or career we want and the single best way to guarantee our success is through setting goals. Here are the benefits of setting clear goals for your career:

6. CLARITY:

You will have more CLARITY: You have to know where you want to go to get there. Setting goals requires you to develop clarity. This is the first and most important step to creating a career that you love and want.

5. FOCUS:

You will develop a stronger FOCUS: Whatever you focus on your get more of: if you have clear goals and focus on them, you will get more of what you DO want (your goals) and less of what you don’t want.

4. EFFICIENCY:

When you get clear about where you want to go, you set up steps and actions to get there. This increases your efficiency because you are working on what is really important. When you work on what is important, you will accomplish more than you ever expected.

3. DREAMS

You will get what you really want in life, rather than settling for whatever comes you way.

2. INCREASED SELF-CONFIDENCE

As you set and reach your goals, you become more confident in your ability to do what you say and get what you want in life. Success breeds more successes.
And the number 1 benefit of setting goals is:

1. RESULTS

There are numerous studies that prove that less than 3% of people walking on the face of this earth have written goals, and according to research, these people accomplish 80% more than those who do not. That is an astounding difference,
is it not?

Your goal could be as simple:

I will finish writing the first draft of my screenplay by July 20th, 2009.

Or

I will direct my second feature film by October 10th, 2009.

I know for a fact that since I started setting career goals for myself starting back in 2008 that I have achieved more in my film career within the past 12 months then I have in the previous four years combined without having any writing goals.

What about you? Are you happy with the progress or stage your career is in? Do you want more or feel you have the talent, drive or ambition to accomplish more?

“Man is a goal seeking animal. His life only has meaning if he is reaching out and striving for his goals”

                   -Aristotle

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How to find work in the film and television industry

Working in the film and television industry is without a doubt the most exciting and rewarding career I have ever had.

I always feel proud when people ask me what do I do and I reply I am a film producer.
But that proud feeling was not always there for me in the beginning. I remember the days when I was just starting off looking to work in the entertainment industry and however frustrated and overwhelmed I felt about attempting to make it the industry. People would constantly tell me this is tough business to get into or it is all about who you know. Now I agree there is some true to these statements, however, from my five years so far of industry experience the biggest stumbling block for those looking to transition into the industry is LACK OF THE RIGHT INFORMATION.

Once you have the right information, everything in life becomes easier. So this article will give you some of the right information you might need to find work within the film and television industry. These websites are not in any particular order but just good solid sources for emerging filmmakers to build your work experience and skills.

4. Mandy.com (International)

Mandy.com has been around since 1995 and was the first database of film/TV technicians and facilities on the web. The site offers a wide variety of services and resources for film industry people all around the world like:

A) Yellow pages of technicians and facilities. Search for “Sound recordists in
Scotland”, “Camera rental in South-West USA”, or “Producers in Asia Pacific specializing in TV Documentaries”.

B) Casting calls searchable by actor age and ethnicity.

C) Search for current job vacancies in film / TV production in your area.

D) Buy/Sell your production equipment.

E) Database of Films and TV Programs for sale. It assists independent producers find niche sales in our fragmenting marketplace.

Once you have your resume on file with mandy.com it is quite easy to search and apply for both paying and non-paying work.

3. Variety The Biz (Canada & U.S.)

This website reminds me of workpolis.com but for the entertainment industry. Again once you have setup a profile and uploaded your resume, searching and applying for work becomes quite easy. I find that the majority of the jobs advertised on this site are more office/internship type of positions with very little to no on-set production work. However, if the office/internship type work is something that interests you. Then you should check out the Variety career site.

2. EntertainmentCareers.net (U.S. only)

This site provides job seekers with hundreds of entertainment jobs and internships opportunities. The positions available range from associate producer to audio engineer. From a non-paying gaffer position to part time receptionist and everything in between. If you live or plan to live in the LA or NY area, this is a great resource for seeking a wide variety of entertainment industry jobs. Another cool thing about this site is the several of the big Hollywood studios, TV networks and production companies post job openings here.

1.Craigslist.org (International)

Thank God for craigslist. I am sure a lot of us have benefited one way or another from using craigslist. Just in case you have not heard of or used craigslist, it has free online classified advertisements with sections devoted to jobs, housing, personals, for sale, services, community, gigs, resumes, and discussion forums. It serves 570 cities in 50 countries. Once you go on the site and find the city/area that interests you, search the following sections for film/TV jobs:

  1. TV/film/video
  2. crew
  3. writing
  4. talent

It might take you sometime to sift through all the job ads to find the ones the interest you but apart from that craigslist is a great place for newbies and more experienced industry players to find work and build both their resume and skills set.

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Networking and Building Film industry contacts (an alternative)

Are you looking for a new or better way to expand your film industry contacts? Broaden knowledge? Grow your circle of influence?

The relationships we build and maintain throughout our professional lives will have more of an impact on our success than maybe any other factor. Especially for individuals who work in the film industry.

The usual ways to network and build business contacts for filmmakers are:

  1. attending film festivals
  2. working on set
  3. through school/workshops
  4. professional association conferences (i.e. Director’s Guild of America)

Though these methods are proven to be effective and do serve as a solid foundation for filmmakers to build their careers. I would like to suggest an alternative approach.

Informational interviews

An informational interview is when you contact someone who has achieved a certain level of success in their career and you meet with them face-to-face for 20 to 30 minutes. During the meeting you basically ask them questions about their career journey and for advice on how you can achieve your career goals.

For example, say you have a passion of screenwriting but were a little unclear on how to turn your passion into a viable career. You would contact a full-time professional working screenwriter, explain to them your situation and arrange to meet with them for guidance.

The professional could tell you happen they sold there first screenplay, their daily writing habits and good books or websites to read for specific industry information pertaining to screenwriters.

This alternative way to networking is very effective. There are only a few steps to take:

  1. Make a list of at least 10 people who are successfully doing what you desire to do.
  2. Get their contact information and first send them an email that explains your desire for success and how you would like to arrange a sit down meeting with them.
  3. After you have sent the email, wait a few days then call them and state how you have already emailed them and you would like a meeting with them to discuss their career success. Emailing them first will give you something to talk about when you get them on the phone. It makes the first contact feel less of a cold call. Chances are the person you wish to meet will be quite busy. So here is where the 3Ps apply. Be polite. Be professional. BE PERSISTENT.
  4. If you persist, you will get to meet with at least 3 or 4 people from your list. Of course, that depends on the people you choose to contact. But I have found that most people are flattered and willing to meet with others who are less established then themselves. It gives them a chance to give back and help others.
  5. When you do have your informational interview, have a few prepared questions ready to ask, bring a pen, some paper and then just listen. Be a sponge and absorb as much as you can from the other person. I would not pitch any ideas or ask for a job during this initial meeting. Keep things light and informal. From my experience, let the industry expert be the one to inquiry first about your ideas, projects and employment.

I recommend sending a thank you letter the day after the meeting with the industry expert explaining your gratitude for their time and advice.

For me, this is a very efficient way to expand your business contacts, your industry knowledge and your strategic alliance.

Give it try. The results might pleasantly surprise you

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