The Best of Ian Agard dot Com

best of the best The Best of Ian Agard dot ComIt has been one year since I started my blog and mission to share my experiences as a film-maker with others.

I have thoroughly enjoyed writing these articles and I love getting messages and comments from other filmmakers about how inspired they feel after visiting my website.

I would like to share with you some facts and figures that my site has produced over  the last 12 months.

Average number of visitors each month: 500

Average number of pages viewed per visit: 3.5

Average time on site per visit: 5:14

Top visitors per country:

1. Canada

2. United States

3. United Kingdom

4. India

5. Australia

Here are the TOP 5 most visited posts on Ian Agard dot Com from Feb.2009 to Feb.2010:

1. How To Finace Your Movie

2. How To Become a Film Director. Powerful Tips From Steven Speilberg (3 part series)

3. Advice For Young Filmmakers

4. 5 “must read” Books For The Passionate Film-maker

5. The Secret Of Being A Great Film Director

I hope you’ve found something valuable and helpful from your visit to my website. As always, I’m constantly striving to improve myself and this site in order to better serve you, the reader. 

I encourage you to take a few minutes to give me some feedback (in the comment box below this article) regarding your time on this site.

What do you like most about this website?

What do you think needs to change or be improved?

What area(s) regarding the art and business of film-making do you think I should focus on more?

Any feedback is welcomed.

Sincerely,

Ian Agard.

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Is it worth going to film school?

Classroom Is it worth going to film school?Recently, I received an email from a reader of this blog asking questions about wanting to fulfill his dream of becoming a filmmaker and whether he should attend film school. I’d like to share with you our email conversation…I’ll keep his real name anonymous so I’ll refer to him as Michael:

Hello Ian, My name is Michael and for a long time I have wanted to be a filmmaker/film director.  I’m 26 years old and now i’m reading to make filmmaking my career. I was wondering where should I start, since I have no experience at all. Should I go to film school? or learn on my own? I have no idea what is needed. I would really appreciate if you could advice me and guide me thank you.
Michael.

Here’s my email reply back to him:

Dear Michael,
 
First, let me commend you for taking the first step towards honouring your dream to become a filmmaker. Within this email I will give you my best advice to help you move forward towards a career as a filmmaker.
 
1) Get very clear about what you want. When you say filmmaker…do you mean writer/director? Just film director? Writer/director/producer? Do you eventually want to make big budget Hollywood films? Independent films? Documentaries?
 
   Once you get clear about what you truly want from filmmaking as a career, I would suggest you write down some short term and long term career goals for yourself.
 
i.e. (short term goal) I will write and direct a short film by June 10th, 2010.
      (long term goal) I will finish writing my feature film screenplay by July 20th, 2010.
 
Having career goals will give you a sense of purpose and allow you to make better decisions in order to fullfill your filmmaking dreams.
 
2) Acquire the right experience, knowledge and skills. The best way to do this is from reading books, taking classes and from doing. Simple trial and error. Here are some books that I recommend you read to gain more knowledge about the art of filmmaking.
 
(i) Reel to Deal: Everything You Need to Create a Successful Independent Film by Dov S-S Simens
This is an easy and informative read. Very inspiring for someone who’s interested in making movies. Especially for independent film producers. I really like his advice about “first make a movie, then make a deal”.
Also, Dov S-S Simens has a very successful online and DVD package web film school loaded with priceless industry knowledge that helped launch the careers of several high profile Hollywood directors like Guy Ritchie, Christopher Nolan and Baz Luhrmann. I highly recommend his course, check here for more details.

 
(ii) The Film Director Prepares: A Complete Guide to Directing for Film & TV by Myrl A. Schreibman
Loaded with a vast amount of useful information for newbie film directors ranging from topics like directing actors to camera coverage to how to be professional and efficient onset.

 
(iii) Rebel Without a Crew by Robert Rodriguez
Robert Rodriguez is the modern day king of D.I.Y. moviemaking. His book chronicles how he made a feature film for $7,000 that launched his film career. What I love about this book is Rodriguez cuts through all the Hollywood noise and b.s. and gives you real,honest, useful tips on what you really need to succeed as an independent movie director.

 
(IV) The 101 Habits of Highly Successful Screenwriters: Insider’s Secrets from Hollywood’s Top Writers by Karl Iglesias
Based on conversation with successful working Hollywood script writers like Eric Roth, Akiva Goldsman, Ed Solomon, Nicholas Kazan, Leslie Dixon, Scott Rosenberg, Gerald DiPego, Steven DeSouza, Tom Schulman, Michael Schiffer, Amy Holden Jones, Robin Swicord. This book gives you the real deal about the daily routines and how to break into the industry tips from the writers of many of today’s top Hollywood movies. I really loved what Ron Bass (Rain man) had to say about succeeding as a screenplay writer

 
(V) Stop Waiting and Make Your Movie by Ian Agard
 This is a film financing guide with 33 information-packed pages of valuable tips and strategies used by both established and emerging filmmakers to secure money for their film productions. For a beginner or expert. If you are an independent filmmaker who needs $5,000 to $500,000 to make your short or feature film, then this e-book is for you. To learn more about it, click here.

 
Film school vs. learn on your own?
That depends on your current life situation, your personality and financial resources. I personally didn’t attend film school because I love to learn from doing, trial and error, making mistakes and learning. Film school will not make you a filmmaker, it simply gives you the tools, the opportunity and resources to play, experiment and find your unique style as a storyteller. You can do that on your own, however, it depends how connected you are with friends and others who will help you make your movies.
If I were starting off with no experience and I wanted to take some filmmaking classes/seminars and I would invest my money in webfilmschool.com. Dov S-S Simens offers valuable and affordable filmmaking knowledge via 2 day seminars, DVDs and streaming online. Filmmakers who have attended his seminars are Guy Ritchie, Christopher Nolan and Baz Luhrmann.

 
Where should you start?

 
Here are the first five steps I suggest should take to get the ball rolling on your filmmaking career:
1) If you desire to be a writer as well as a director, go to http://www.simplyscripts.com and start reading screenplays of films you’ve alright watched. Start getting familiar with the structure of screenplays and certain terms.

 
2) Go to www.celtx.com and download celtx. Combines full-feature scriptwriting with pre-production support and also enables online collaboration. Mac, Linux and Windows. (It’s free)

 
3) Write everyday. Invest at least 15 minutes each day (I write everyday for 1 hour) Just start telling a story. Focus on a genre you love. Horror? Action? Sci-fi? Comedy? Just start writing…it doesn’t have to be perfect. I recommend you aim to write 2 or 3 short scripts. 5 to 10 pages long. While still studying other screenplays from simplyscripts.com, learn to stretch your imagination building a rich, complex characters and interesting scenes/situations.

 
4) Gather a crew (some friends) or post an ad on craigslist.org or mandy.com to hire some actors and crew members.

 
5) Shoot your movie! Pick the script that you love the most, (passion is important) take your crew and make your movie. You’ll probably encounter setups, problems,etc…this is normal. Just keep moving forward with your production and don’t quit until it done and done right.

 
   Now you’re a filmmaker!

 
I understand that I left out a lot of important steps like the film budget, get a film camera and equipment, securing shooting locations, editing the film, music,etc…all these steps you must learn and work out on your own only because I don’t know where you live, your financial situation and resources. For budget, $500 to 1,000 for your first short film is a good start. Everything else can hire and get volunteers via craigslist.org or mandy.com.

 
The main things are get clear about what you want, start studying from the right books/websites and take action today!

 
To Your Success,
Ian Agard

So to conclude…is it worth going to film school?

I have friends and acquaintances who have attended film school and they’ve told me it can be a very rewarding and valuable investment into your life and  career, however, the bottom line is you must constantly play, experiment and find your unique style as a storyteller to make it as a filmmaker.

What’s your opinion on this topic? I encourage you to leave a comment in the reply box below.

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Introducing the newer, better 2nd edition of my ebook!

Dear Reader,

I’m please to announce that I’ve refined and improved my ebook STOP WAITING and MAKE YOUR MOVIE and filled it with even more valuable information, tactics and lessons to help emerging filmmakers to finance your first feature film.

STOP WAITING and MAKE YOUR MOVIE, the 2nd edition is available now for a limited time promotional price of

ONLY $14.95

ACT NOW! Click here for more details.

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NEWS: Ian Agard appears on Thatchannel.com

Ian Agard sits down with Hugh Reilly on Liquid Lunch to chat about his new feature film, Bend and Break.

The 17 minute interview starts @ 39:53 on the video timer.

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Movieset.com

Today, I received an email introducing me to a cool film industry website called Movieset.com. MovieSet.com is movie online source that providing fans with daily news and content from films in various stages of production.

“MovieSet is a great tool for film producers, especially as we know how much social media campaigns are now playing an important role in our distribution and promotion strategies – basically getting the word out about films way before their theatrical release,” says Christine Haebler, producer for Daydream Nation at B.C.-based Screen Siren.

Check out this behind-the-scene video of the making of Shutter Island. Starring Leonardo DiCaprio. Directed by Martin Scorsese.

Watch more behind-the-scenes making of videos and interviews from Shutter Island and other upcoming Hollywood films at www.movieset.com

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VIDEO: Live from Sundance 2010 – Producer’s Roundtable

I came across this cool Producer’s Roundtable from the Sundance Film Festival currently going on. Five independent film producers discussion the process of producing their Sundance accepted films and their opinion about the future of independent films as art and commerce. Really listen to Ted Hope, that guy is really cool.

LIVE@SUNDANCE 2010: Producers Round Table, Part 1

LIVE@SUNDANCE 2010: Producers Round Table, Part 2

LIVE@SUNDANCE 2010: Producers Round Table, Part 3

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How Smart Filmmakers Get People Talking About Their Film

Smart+Filmmaker How Smart Filmmakers Get People Talking About Their Film

“Good marketing is easy” – Guy Kawasaki

It’s has now been one month since the release of my new movie, Bend and Break. Over these last 30 days I’ve learned a lot about film marketing and sales and how important it is to have a clear marketing plan to create awareness and exposure for your movie.

To-date, exactly 81% of all Bend and Break sales have been generated from word of mouth marketing, the other 19% was generated from publicity. The power of word of mouth marketing has impressed me so much that I decided to do some research and studying in order to better understand and utilize this efficient marketing strategy.

I came across a book called Word Of Mouth Marketing: How Smart Companies Get People Talking by Andy Sernovitz. In this book, there is a simple yet great definition of what word-of-mouth marketing is:

1) Giving people a reason to talk about your film

2) Making it easier for that conservation to take place

That’s it. Andy’s book explores four basic rules for creating and maintaining word-of-mouth marketing success.

Rule #1 – Be interesting

Nobody talks about boring products(films) or people(filmmakers). I’ve found the best way to interest people about your film is a tell them an (true) entertaining story about how something went terribly wrong during filming the movie and how all hope was nearly lost but because of your wit, creativity or just pure determination you managed to press on and successfully finish your film. Everyone love a hero.

Rule #2 – Make it easy

Word-of-mouth is lazy. You’ve got to help it along if you expect it to go anywhere. You need to do two things: Find a super-simple message and help share it. What I’ve done is tell people, ”This is my first feature film!”. When people hear the word ”first” they always seem to get a little bit curious.

Rule #3 – Make People Happy

Happy fans are your greatest advertisers. Thrill them. Create an amazing film. Do whatever it takes to make the experience remarkable for them. Make sure the work you do gets people energized, excited and eager to tell a friend. For me that means always shipping DVDs to my customers the exact day they purchase me movie from the website, provide free shipping or personally delivering the DVD movie myself to their home. Customer service is key, even for filmmakers.

Rule #4 – Earn trust and respect

If you don’t have respect, you don’t get good word of mouth. Be good to your fans (customers). Talk to them. Fulfill your needs. Make people proud to tell your story to everyone they know. The two best ways I feel you can earn people’s trust and respect is to:

A) Always tell the truth, no matter what.

B) Be yourself.

Think for a moment about a person or film-maker you respect a lot. I’d be willing to bet the reason you respect this person so much is because they always seem so honest about themselves and their lives (even when admitting their failures and mistakes) or they’re always true to themselves. They don’t compromise or go against their values in order to make everyone else happy. 

Here is Andy Sernovitz’s conclusion regarding word of mouth marketing:

“Success comes not from what you advertise but from what you deliver”

Read Andy’s blog at http://www.damniwish.com/ for more great information about word of mouth marketing.

As always, your comments are welcome and encouraged. Let me know what you thought about this article by leaving a comment below!   

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The Caribbean Camera profiles writer, director and producer of ‘Bend and Break’ as a role model for Black youth

caribbean+camera+article+ +Jan.+28,+2010 The Caribbean Camera profiles writer, director and producer of ‘Bend and Break’ as a role model for Black youth

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NEWS: Ian Agard interviewed by Share Newspaper about ‘Bend and Break’

Thursday January 21st, 2010 10:01am

‘Bend and Break’ writer/director/producer is interviewed by Share Newspaper about his new film.

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NEWS: Ian Agard interviewed by Cambridge Times about ‘Bend and Break’

 

Ian Agard interviewed by Cambridge Times about new film ‘Bend and Break’

 

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